The opening ceremony of the 2024 Paris Olympics has sparked controversy due to a drag performance that some viewers interpreted as a parody of Leonardo Da Vinci’s “The Last Supper.” The ceremony, which took place along the Seine river, featured various performances, including a segment with 18 drag performers behind a table, with one performer wearing a large headdress in the center.
The official Olympics Twitter account described the performance as an interpretation of Dionysus, the Greek god of wine and revelry, intended to highlight the absurdity of violence among humans. Despite this explanation, many viewers saw a resemblance to “The Last Supper,” causing an uproar on social media. Critics, including far-right French politician Marion Maréchal, accused the performance of mocking Christian imagery and labeled it as blasphemy.
Maréchal’s comments were echoed by others, such as US podcast host Clint Russell, who claimed the performance was a deliberate affront to the 2.4 billion Christians worldwide. This controversy overshadowed other notable moments from the ceremony, including performances by Lady Gaga and depictions of French historical figures.
The drag performance, along with other provocative acts, has stirred significant debate about the appropriateness and interpretation of cultural and religious symbols in public events. The organizers intended to create a memorable and unifying spectacle, but the backlash highlights the complexities of balancing artistic expression with respect for diverse audiences.
